I'll preface this post by saying I'm sorry I didn't listen to you guys, because now I feel like I'm in a mess.
From the original post:
From the original post:
Recently I was accepted to create content for a comic, but the lack of communication and hazy guidelines are becoming a concern for me. I'm looking for advice how I might move forward.
Here's a rough layout of the events... (read more)
The organizer sent out this mass email (all names have been omitted throughout this post)
May 21
Hello everyone,
I just wanted to let you know the state of----- right now. Currently 16 pages have been submitted, including the centerfold (2p) and the cover (not included). The minimum posting size is 24 pages. 32 is preferable. I'm still working to recruit more artists and get enough work in to publish. Hopefully soon! If you end up having more to contribute, feel free to send it my way.
As of now, this client has really worked my patience with the lack of reasonable communication. The only time this client actually responded to my emails was to ask for alterations to the files I sent. I also emailed asking how my friends and I could preorder this book since we wouldn't be at the AC debut, and that email wasn't answered either. When they needed a centrefold, my friends and I managed to pool our resources together and get one done in less than 48 hours to meet this clients April 25th deadline (note the email mentioning a deficit of content wasn't dispatched until almost a month later).
I originally did this work as a side project with the encouragement of a friend, but now it's turned into a stressful hassle, and the pay isn't that great to make up for the stringent reproduction rules.
This is their current payment plan:
Money from ----- submissions are made by online sales through ------ and at-con sales by ----- and comic artists. Payments are sent to myself, and I divvy payment between the contributors. Money is split by comic, and to each artist by submission number. Pin ups pay less than comic pages. Otherwise, an artist is paid by their page submission/total pages of the comic (For example: submitting a 5 page comic out of a 25 page anthology would yield 20%). This is based off net profit, which is after a 5% cut is taken for the ------ organizers, to cover cost of shipping to conventions, table space, etc.
Payments are sent out twice a year, around October and May. Payments are sent via snail mail and check, or through PayPal. Any fees associated with PayPal are the responsibility of the artist/author. (Isn't this against Paypal rules?)
When I previously read the guidelines, I asked if I could sell the original of the works in the AC artshow (since the pay for the project seemed low). The original works are lacking the backgrounds and shading added digitally, but the client didn't answer and just referred me to a FAQ. Reading this over again, I feel really silly having agreed to this project, but I also feel like a jerk pulling my work when they seem to be desperate. At the same time, the lack of communication has me feeling like they might not pay me on time (or at all) either. What started as a labor of love has quickly become a labor of my patience.
When I previously read the guidelines, I asked if I could sell the original of the works in the AC artshow (since the pay for the project seemed low). The original works are lacking the backgrounds and shading added digitally, but the client didn't answer and just referred me to a FAQ. Reading this over again, I feel really silly having agreed to this project, but I also feel like a jerk pulling my work when they seem to be desperate. At the same time, the lack of communication has me feeling like they might not pay me on time (or at all) either. What started as a labor of love has quickly become a labor of my patience.
Thanks for your help, guys, I feel like I've really dug myself into a hole on this one. :C
- Current Mood:nervous
Do NOT repost your old bewares. They are being archived.
https://artistsbeware.info/
Profile
artists_beware- Commissioner & Artist, Warning & Kudos Community
- Artists Beware
Comments
This isn't me telling you to NOT back out, but you have to realize you had a chance to get out when people were pointing at the red flags; but now your options are hazy.
You're likely to not get much out of this project; if ANYTHING. I mean has this client been promoting the book or anything else? They are obviously having difficulties obtaining additional content. Also if I recall correctly, AC is right around the corner and the book isn't anywhere near completion?
Gonna be honest. This book is probably not going to even get printed in time for the so-called debut. At least, not in good quality or in a quantity that'll net anyone profit.
So if you decide to actually back out; be honest with them. The shoddy communication, the fact that the progress of the book is at such a stage you doubt it'll be ready in time and no solid contract (just an FAQ? No.) means you're walking away.
Just be prepared for whatever tantrum they have up their sleeve for it.
I suppose it's the OP's fault for not taking more careful consideration, especially after seeking counsel and being warned to back out in the first place, but I can say the idea of having work published is appealing.
However, the OP delivered the content requested and if they're not going to be fairly communicated with and ignored, I don't blame them for pulling out.
The second person I spoke to sort of spooked me into staying on board, making it sound like if I backed out I'd be a massive jerk for not keeping my word.
Yes, I should have stood up for my gut feeling, I thought that since I'd spoken with another artist it would be okay. :/
At most the consequences to reputation from ditching a project like this shouldn't be much worse than those of no longer working with any other difficult client, anyways. Even if lies are told, the truth will out eventually, and OP's dealings with other clients and people in general will speak louder than any insinuations or accusations by people running a project that will most likely fall apart.
I mentioned in another comment that The reason I went with the project against my better judgement was because I spoke with one of the artists that were on board previously and they vouched for the guy.
The second person I spoke to sort of spooked me into staying on board, making it sound like if I backed out I'd be a massive jerk for not keeping my word.
Yes, I should have stood up for my gut feeling, I thought that since I'd spoken with another artist it would be okay. :/
Run for the hills and fast.
They're treating this like work-for-hire with zero contract (have you signed a contract?), spotty communication, and a comical pay scheme.
You'll likely see nowhere near what your art is worth if you stay here, assuming the client is going to be truthful about the amount of sales at all.
Any fees associated with PayPal are the responsibility of the artist/author.
In this case you are the "seller" as the artist. The client is the "buyer". They are not liable for fees.
I'm worried I won't see a cent of the pay, if they're this bad at simply answering emails... :/
Nope, this is actually within Paypal's rules, otherwise they'd be sending it to you as a "gift", which Paypal would be against (since they'd lose out on a fee).
You can put your foot down and lay the line with this person. Tell them, "I need you to communicate with me, or I'm pulling my art. I have not signed a contract, and I don't feel comfortable with your payment schedule, your lack of communication, and the fact that I can't redistribute my art under pay-only methods. We need to discuss this, or I'm out."
If they're not willing to work with you in any way, then screw them and pull your art. YOU have the final say in where your art goes until you sign a contract stating otherwise.
The rest of this, though? Run for the hills. I don't know that it sounds like a deliberate scammer so much as some guy who thinks this comic is just going to fly off the shelves and everything will be sunshine and daisies once that happens...but it won't. This kind of project is lucky to break even, much less make anyone money, and if you continue with it you're never going to get back what you put in.
I wasn't worried initially about breaking even for my submission, I did it more as a fun project. If the pay was bad but it was awesome to work with the person, I'd be all about staying on board. But when the pay is poor and you're treated poorly, it does make me want to bail.